Tuesday, January 2, 2024

THE FIRE: DEVOTION TO DESTRUCTION - DRAUPADI

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯ 

THE PALACE OF ILLUSIONS– CHITRA BANERJEE DIVAKARUNI  

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯

THE FIRE

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯
WHO IS Chitra Banerjee Divakaruni ?πŸ’­

Chitra Banerjee Divakaruni 

Chitra Banerjee Divakaruni (born Chitralekha Banerjee, July 29, 1956) was born in Kolkata, India. She is an Indian-American award-winning author and poet. Her themes include the Indian experience, contemporary America, women, immigration, history, myth, and the joys and challenges of living in a multicultural world. She has published in over 50 magazines, including the Atlantic Monthly and The New Yorker, and her writing has been included in over 50 anthologies.Divakaruni also writes for children and young adults and has published novels in multiple genres, including realistic fiction, historical fiction, magical realism, myth and fantasy.

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯
WHAT IS THE BOOK ABOUT ?πŸ“–

THE PALACE OF ILLUSION

A mythic tale which is unique, creative and an illuminating feminist work that breathed new life into female characters in a male-centered story. Chitra Banerjee Divakaruni’s The Palace of Illusions published in 2008 is a novel retelling of the ancient Hindu epic The Mahabharata from the perspective of Draupadi. The novel traces the princess Panchaali’s life.
πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯

HOW IS THE BOOK UNIQUE?πŸ’«

The opening chapters present Draupadi's obsession with her origin and introduces her rebellious character as well as her struggle for a female identity. In an instance, lack of self-identity was revealed when the tutor was teaching lessons on Kshatriya dharma to Dhri (brother of Panchaali) and Draupadi was discouraged from attending the classes which was meant only for man. She was given lessons in singing, dancing and playing music so, that she could get the attraction of her husband over the other wives. Though Draupadi was victimized in several instances she was determined to continue her lessons in some way or other.


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“And so I refused to give up the lessons, no matter who disapproved.” (The Palace of Illusions, 24). She also expresses her dismayed thought of the tutor when he said about the '' women who are the path to ruin'' (The Palace of Illusions, 24), Draupadi says "I resented the tutor's declaration that women were the root of all the world's trouble" (The Palace of Illusions, 24). In her own house, Draupadi's voice of protest, willingness to learn Nyaya Shastra, taking part in armor activities and even her right to choose her better- half were strongly opposed. Despite facing the problems and hindrances in her life and being subjugated, Draupadi is able to stay bold in her decisions and her acts. It is evident when Draupadi takes a vow holding her long hair after vastraharan, “I will not comb it, until the day I bathe it in Kaurava blood.” (The Palace of Illusions, 194)

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯

WHY IS THIS IMPORTANT ?πŸ€”
πŸ“½️πŸ‘‰πŸ”₯Power of Self DefenseπŸ”₯πŸ‘ˆπŸ“½️
self defense

The women in The Mahabharata have been treated as slaves, property, chattel and commodities used for the pleasure of men. The key characteristics of women are seen as submission, suppression, obedience and silence. They are tools of male ambition. Woman like Draupadi stand out opposing the injustice of the male world. 

πŸ“½️πŸ‘‰#PLIGHT OF WOMENπŸ‘ˆπŸ“½️

Despite laws being in place, women continue to be subjected to violence, exploitation, harassment and victimized in this patriarchal society. There has not been much evolution from the age of the Mahabharata to present-day society. The plight of the women in the 21st century is not different from that of the women in ancient times though only some Panchaalis have overcome the victimization in present era. so, in order to overcome these discrimination and victimization, women must be aware about the laws for their welfare, they should be able to defense for their safety, learn to act independently and be a real fire which can be devoted as well as can play the role of destructor.

    πŸ“½️πŸ‘‰ “Wait for a man to avenge your honor, and you’ll wait forever.” πŸ‘ˆπŸ“½️                                          ― Chitra Banerjee Divakaruni, The Palace of Illusions


πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯

 

THE FIRE: DEVOTION TO DESTRUCTION - DRAUPADI

πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯ πŸ’₯   THE PALACE OF ILLUSIONS – CHITRA BANERJEE DIVAKARUNI   πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯πŸ’₯...